CAN is the only organization in America integrating promotion, marketing, art consulting, and exhibition opportunities in a professional gallery environment.

Working with some of the world’s best art critics and curators, CAN is focused on new effective strategies engaging artists in a sustained multimedia campaign.

Unlike a regular gallery, CAN is an inclusive organization. However, membership is limited to artists
selected on the basis of esthetic and ethical merits.

CAN champions the work of emerging and mid-career artists, creating a resource of contemporary painting, sculpture and photography.

It occupies the entire fifth floor (4,000 sq.ft) at 580 Eighth Avenue and 38th Street in Manhattan, and
incorporates five separate galleries, which allows to hold several simultaneous exhibitions.

Conveniently located in the heart of the city between Penn Station and the Port Authority, near Times Square and the New York Times building, CAN is easily accessible by car, bus (M104, M20, M10), or subway (A, C, E, N, R, 1, 3).

It is open to the public Tuesday through Saturday, from 1 to 6 PM.
For summer hours and more information, please call 212-354-2999 or email us.

CONTRIBUTORS

	Phyllis Braff was an Art Critic for The New York Times, Long Island Section, 1981-2003, and a President of the International Association of Art Critics, USA Section.
	Marvin Brown is a New York based artist. He has been exhibiting his work since 1962 in numerous galleries and museums, including MoMA and the Whitney. He has been an active member of the American Abstract Artists.
	Kim Levin is a former contributor to the Village Voice and a President of the International Association of Art Critics (AICA).
	Barbara MacAdam is a Deputy Editor of ARTnews.
	Lisa Paul Streitfeld is an art critic and writer. Her credits include The New York Times and Sculpture among other publications, as well as numerous anthologies, art books and catalogues.
	Robert C. Morgan is a Contributing Editor to Sculpture Magazine. He lectures at Pratt Institute and the School of Visual Arts in New York. In addition to his many books and essays (translated in 16 languages), Professor Morgan has curated over 60 exhibitions, including Komar and Melamid (1979-80), and Max Ernst: The Late Prints (1989)
	Lilly Wei is a contributing editor at ARTnews, Art Asia Pacific and a member of the International Association of Art Critics, Art in General, and Art Omi. She has been the essayist for many catalogs, including the Albright-Knox Art Gallery, and the Metropolitan Museum of Art.